I have some post cards from 1910 - 1915 and I would like to know what would be the safest and most cost effective way to ship them individually. Should I use just a regular envelope, an envelope with cardboard (so it doesn't bend), or a bubble mailer? Any information or suggestions would be greatly appreciated.
I'm new to the world of postcards so am hoping someone can help me identify several cards I've inherited. All are on thick (cardboard?) stock with nothing at all on the back. A few are artist signed - Frahm, Moran - one mutoscope has a woman in shorts with 2 bulldogs & the motto "Safety First" and 2 are scantily clad women, tinted B/Ws with only "made in USA" in left corner. I don't know if these should be listed as postcards or some other kind of ephemera. Thanks for any info.
When buying or selling postcards, everyone wants to know the condition of the postcard.
This rating system is used for older or antique postcards.
M - Mint : A perfect card just as it comes from the printing press. No marks, bends, or creases. No writing or postmarks. A clean and fresh card. Seldom seen.
NM - Near Mint : Like Mint but very light aging or very slight discoloration from being in an album for many years. Not as sharp or crisp.
EX - Excellent : Like mint in appearance with no bends or creases, or rounded or blunt corners. May be postally used or unused and with writing and postmark only on the address side. A clean, fresh card on the picture side.
VG - Very Good : Corners may be a bit blunt or rounded. Almost undetectable crease or bend that does not detract from overall appearance of the picture side. May have writing or postally used on address side.
G - Good : Corners may be noticeably blunt or rounded with noticeably slight bends or creases. May be postally used or have writing on the address side.
FR - Fair : Card is intact. Excess soil, stains, creases, writing, or cancellation may affect picture. Could be a scarce card that is difficult to find in any condition.
AUCTION ABBREVIATIONS Und/B-Undivided Back 1901-1907 DB-Divided Back 1907-1915 WB-White Border 1916-1930 L-Linen era 1930-1945 C-Chromes 1945 to 1970s Cont. sz - 4"x6" chromes 1970s up b/w-black and white cof-cancel on face crs-crease cnr-corner emb-embossed lt-light m/t-margin tear o/w-otherwise p/ or pub - publisher pm-postmarked RP-Real Photo s/ or sgn - artist signed s/m-stamp missing u-used unu-unused wob-writing on back wof-writing on face a number within parenthesis indicates quantity of cards in lot.
I have several booklets of post cards from different States. I see that most of the auctions on E-bay are for just one post card. Should I sell them all together or keep them all together in the little booklet thing they are in?
In 1898 TUCK's first numbered series of postcards was printed, a set of 12 lithographed vignette views of London. They were numbered 1 to 12 with the "Tower of London" having the distinction of being the #1 postcard. I have a number 4 in this series.
The TUCK Company entered the American postcard market in 1900 and maintained an office in New York. American artists designed the postcards and they were printed in Germany and England and returned to the U.S. for sale. Most records of the TUCK history were destroyed during the bombing blitz of London during World War II, including the original paintings the postcards were produced from.
TUCK postcards are easy to identify with their destinctive logo as "ART PUBLISHERS TO THEIR MAJESTIES THE KING AND QUEEN".
For more about TUCK postcards and their history, we recommend the following reference books;
The American Postcard Guide to TUCK, Sally S. Carver, 1976 Collector's Guide to Raphael Tuck & Sons by Blair & Margaret Whitton, 1991 The Picture Postcards of Raphael Tuck & Sons by J.H.D. Smith (Ed.), 2000
Hello Everyone, I just began to share my love for Victorian and old/rare postcards with Ebay as some of my collection are quite difficult to part with. This is probably old news to most of you, but I just wanted to share a hello with folks who appreciate all that was. I was wondering if anyone else finds it difficult to part with rare little treasures, but know they have too much to keep? Kind Regards-Inthemiz Antiques
Sorry for the double post. I first entered this as a reply, but later realized it probably should be a separate topic.
I'm a buyer, not a seller. By chance, I purchased a card addressed to a family member I was researching. Because I'm interested in genealogy, I now look for cards where the backs are shown or described. Prior to my lucky find, I was only interested in the images on the basis of era and locale.
Large scans are great, but a written description would work just as well. For a buyer, it's not too practical to bombard sellers with queries about who the card is addressed to (or to discover possibly some interesting feature in the message), when this could be taken care of in the item listing.
Selling postcards can be profitable, but throwing a bunch of postcards in a stack and not taking time hurts one overall. Member a picture is worth a thousand words. It also means more bids if you have a few cards people want. State what's wrong and be upfront. Personally, I don't like one burries the fact items are not returnable.
Do your research.
A lot of ships in the great lakes sunk. Do any of these cards have a postal history connection (i.e. Postage Due)? Then, you may want to treat a so called commonly seen postcard as a stamp collectible.
Don't rely soley on eBay to find inventory for resale. For example I bought a Cape Elizabeth Fire Station postcard for $2 and sold it for $22 on eBay. There's also a lot of dealers getting rid of excess inventory of cards which at least I keep seeing or are of low interest. There's still stuff out there, but it takes time!
Is it wise to start/quit an eBay store?
I have mixed feelings. eBay keeps raising fees as to the stores, but at least they do market on your behalf and give sales reports. Only eBay is ever mentioned on TV. Stampwants, Bidville are not.
Charging cheaper postage (This is How to do it).
Starting auctions at a penny then charging a few dollars for shipping is wrong to me. Eventually one will lose customers. You can save on shipping by getting card stock and manila envelopes at Sams Club if having access to it.
When buying or selling postcards, everyone wants to know the condition of the postcard.
This rating system is used for older or antique postcards.
M - Mint : A perfect card just as it comes from the printing press. No marks, bends, or creases. No writing or postmarks. A clean and fresh card. Seldom seen.
NM - Near Mint : Like Mint but very light aging or very slight discoloration from being in an album for many years. Not as sharp or crisp.
EX - Excellent : Like mint in appearance with no bends or creases, or rounded or blunt corners. May be postally used or unused and with writing and postmark only on the address side. A clean, fresh card on the picture side.
VG - Very Good : Corners may be a bit blunt or rounded. Almost undetectable crease or bend that does not detract from overall appearance of the picture side. May have writing or postally used on address side.
G - Good : Corners may be noticeably blunt or rounded with noticeably slight bends or creases. May be postally used or have writing on the address side.
FR - Fair : Card is intact. Excess soil, stains, creases, writing, or cancellation may affect picture. Could be a scarce card that is difficult to find in any condition.
AUCTION ABBREVIATIONS Und/B-Undivided Back 1901-1907 DB-Divided Back 1907-1915 WB-White Border 1916-1930 L-Linen era 1930-1945 C-Chromes 1945 to 1970s Cont. sz - 4"x6" chromes 1970s up b/w-black and white cof-cancel on face crs-crease cnr-corner emb-embossed lt-light m/t-margin tear o/w-otherwise p/ or pub - publisher pm-postmarked RP-Real Photo s/ or sgn - artist signed s/m-stamp missing u-used unu-unused wob-writing on back wof-writing on face a number within parenthesis indicates quantity of cards in lot.
The beautiful work of Artist Catherine Klein has been popular for over 100 years.
Artist Catherine Klein was born in Berlin, Germany on November 4, 1861. She attended the Art School in Berlin and painted flower pictures, eventually in "gouche" (opaque watercolor). Her best work seems to have been done between 1890-1900. Although there were thousands of painters in the art centers of Berlin, Munich, Dresden, Dusseldorf and Nurenberg in the 1890's, Catherine Klein became the best known flower painter because her work appeared in print. Art teachers then began using Catherine Klein pictures for models and continue today. She added birds and then fruit to her painting, all naturalistically shown. She then became known as "the" rose painter. Well known for her Alphabet Series which contains 26 letters of the alphabet with flowers.
Little is known of her personal life. Her beautiful work remains popular today and is reproduced everywhere from fabric, prints, pottery and ceramics , greeting cards and other items.
I read this article yesterday, what a thrill this must have been when the dealer read the back.
Wed Apr 23, 1:37 PM ET
AMSTERDAM (Reuters) - Going through some old books in his father's antiques shop in Naarden near Amsterdam, Paul van den Heuvel stumbled upon a postcard sent and signed by Anne Frank in 1937 to a friend.
"I just found it in a box, which probably came from an Amsterdam flea market," Van den Heuvel, a teacher, told Dutch television on Wednesday.
Anne Frank's Jewish family fled Nazi Germany in 1933 and settled in Amsterdam. During World War Two the Nazis occupied the Netherlands and began deporting Jews to the death camps in 1942, prompting the Frank family to go into hiding in a secret annex in a canal-side house.
The Anne Frank museum, which includes the attic hideaway and now a top destination for visitors to Amsterdam, confirmed the postcard's authenticity.
"We have seen similar cards sent by Anne and this one fits within the series," a spokeswoman for the Anne Frank museum said. "This is an original written by Anne and we don't have much of that."
Anne sent the postcard to her friend Sanne Ledeman in December 1937 when Anne was staying with her grandmother during a visit to Germany's Aachen.
It shows a Christmas bell and clover and the words "Viel Glueck im neuen Jahr," or "Much Luck in the New Year" and was signed Anne Frank.
Anne's diary of her years in the secret hiding place were later published by her father. She died in a concentration camp in 1945, shortly before the end of the war.
Many of our customers email us about the use of old postcards for their craft projects , prints and other things. We have included some copyright info below that we hope you find helpful.
Details on Public Domain This is written to give you the basics information on what Public Domain means in regards to images. It is not exhaustive and as always there may be exceptions to the rules, we would suggest that this is a good starting point as an introduction to the world of Public Domain. As always we are concentrating on Public Domain and how it affects the graphics community only.
In the eyes of the law, the term Public Domain means images that are available for copying and using by anyone. So how does an image become Public Domain and who decides what images are public domain and what images are not.
The laws have changed several times over the years and for ease of learning we have divided this lesson into three separate sections:-
1 All images published before 1923
2 Images Published between 1923 – 1978
3 Public Domain Images published after 1978 and Creative Common Licenses.( Which we will not be covering until a later date)
Part One - Pre 1923 The first thing to remember is that the internet is a global community, and when Public Domain was first introduced the very idea that we would all be sitting in our homes, with a little box, hooked to a connection, accessing images from across the globe – well, it was just science fiction.
The second, and perhaps the most important point, directly relevant to you, is the history of modern technology. Let us be clear about this, and let us all understand this before we move on.
Since the days of the caveman, human beings have been expressing themselves through art. The fabulous paintings that are in the world’s museums and galleries are the only window we have into “how we used to live”. In the 1820’s the world was introduced to photography but it took till during the Second World War for colour film to be truly developed. If you look back at your own, old family photographs I am sure you will find that it wasn’t until the very early 1960’s that colour photography first appeared. However for us to have the ability to transfer these photographs into the images you see on your computer screen took a while longer. The world had to wait on the inventors to introduce high powered scanners and digital photography before it was possible.
It is imperative that you remember these simple facts and keep at the forefront of your mind that if you are looking at a painting on your computer screen, from the 1700’s, the 1800’s, even the 1960’s you are not looking at the actual image but a digital copy of the painting.
The Law Copyright Laws were introduced to different countries, at different times. Today most of the world (with the exceptions of Japan, Columbia, Guatemala, Mexico, Samoa there may be a few others) all agree that any image published before January 1st 1923 is now in the Public Domain, and that the image is free for others to use.
Two key facts to remember here, first, published - meaning it had to have been made public before 1923. Secondly, remember if you are looking at the image on your computer screen, you cannot be looking at an original – the technology did not exist back in 1923.
So how can you find Public Domain Images, and how can you use them?
A great source of true public domain images that are available to you are old books and postcards. Look inside the book at the publishing details, if the date of publishing is before 1923, you can legally scan or photograph these images and use at your leisure. The same applies to old photographs and postcards, if the original pre-dates 1923, you can use the image for your purposes without permission or payment.
It is not impossible to get originals of some old art; it just takes time and perseverance. Some places to look other than the internet are
1 your local library, just check to make sure they will allow photocopies or will allow film pictures to be taken of the images. If they allow film pictures please use these guidelines. Fast film speed, have the picture in the brightest area that the library will allow and try not to use a flash.
2 antique shops, they sometimes have old books fairly cheap,
3 flea markets, yard and estate sales,
4 thrift stores,
5 old book stores, I recently found an old Pennsylvania Dutch article dated 1888.
6 eBay - remember you are looking at eBay to BUY the postcards, not to right click the image you see online. I have bought a lot of old postcards and prints thru eBay and some old publications as well.
Trademarks If you think back to our trademark lesson, it is worth reminding you here that when you look at old Public Domain images, you must also remember the laws pertaining to trademarks. If the image you wish to uses display advertisements – for example Singer, Coats & Clarke, Pears Soap, trademark laws may prevent you from using the image even thought the actual image is now in the public domain. If you find old advertising art such as this it is best to contact the company to verify the usability status of the image.
Part Two 1923 – 1978 Let’s leave aside the images pre 1923 now and move on in time and concentrate in the era between 1923 and 1978. Once again we need to remember that the internet is a global community and the images we see may not originate in the country that we live in. This is very important. Internationally the laws concerning Public Domain changed in different countries at different times frequently during the period 1923-1978.
Stop for a minute and think back to the history of the developed world in the 20th Century – we had World War II, the Vietnam War, the Cold War (to name but a few) so is it at all surprising that there was no global agreement on copyrights and trademarks?
This time zone is fraught with questions and dilemmas and if you really want to use an image from this era, it is very seldom easily researched, and we would always advise contacting a copyright lawyer if you would like to use works from this period.
But to help you on your way here are a few pointers, the four facts you need to know before you begin your research are:-
Album Marks - Discoloration or heavy indentations on the corners of the cards from the acid, leaching out of the antique album pages, or from weight.
Archival - Any museum quality material that will protect postcards for extended periods of time.
Artist Signed - Any postcard that has a printed signature of the illustrator. This does not mean that the postcard artist autographed the card, although examples do exist. If the publisher has printed a byline clearly identifying who did the work, the card is considered artist signed.
Chrome - Any card after 1939 with a shiny paper surface. The term is derived from Kodachrome.
Condition - Refers to the physical condition of the postcard. Terms used are Mint, Near Mint, Excellent, Very Good, Good, Fair, and Poor.
Deltiology - This is the study of postcards; the person doing the research, a deltiologist. Randall Rhodes of Ashland, Ohio, first used the term. It means (from the Greek) the science or study (logos) of small pictures or cards (deltion).
Die Cut - Any paper cut by the publisher into a shape other than a rectangle, such as the shape of an angel, Santa, or animal.
Die Cut Hold to Light - A hold to light (HTL) postcard that transforms fromday to night when a bright light shows through the tiny holes cut on the surface of the card.
Divided Back - A postcard back with a center line to divide the address from the message. Divided backs appeared in 1902 in England, 1904 in France, 1905 in Germany, and 1907 in the US. This helps to date unused postcards. Cards before these dates have undivided backs.
Embossed - Postcards that have designs slightly raised above the card's surface. Heavily embossed postcards have almost a papier-mache style, that stands greatly above the surface.
Ephemera - Any printed or hand written item normally discarded after its intended use such as calendars, postcards, tradecards, and valentines.
Foxing - Brown spots in the paper's surface. These spots of mildew, penetrating the paper, cannot be removed by erasing but may occasionally by removed by bleaching.
Please Visit Our eBay store for Vintage Postcards! Gelatin - A card with a varnish-like coating producing a glossy surface. The surface usually cracks or shatters.
Golden Age of Postcards - From 1898 to 1918.
Government Postal - A postcard that has a preprinted stamp on the back. The government postal office issues these postcards and publishers use them to print designs and advertising messages. They were especially used before the Act of Congress 1898.
Hold to Light - Any postcard that creates a different image if held to the light. Some are as simple as day to night, others as complicated as Winter to Summer. There are die cut hold to lights and transparencies.
Installment - A series of postcards designed to be sent one a day. The completed set forms one picture. Some installments are vertical, such as an Uncle Sam figure; others form horizontal, such as a running horse.
Linen - Postcards published in the late 20s through 50s, using a textured paper with a cross hatched surface. The surface resembles linen fabric. The cards romaticized the images of gas stations, diners, hotels and other commercial buildings. Using the photographic image of an establishment, all undesirable features, such as telephone poles, junk yards, background clutter, and sometimes even cars and people were removed by air brushing.
Mechanical - Postcards that have moving parts. It may be simple as a die cut top revealing a different idea of the previous image when opened. It could be as complicated as pulling a tab for a curtain to move and totally change pictures. Some mechanicals have wheels that change the faces on a body or dates on a calendar.
Miniature - Postcards done as a novelty during the Golden Age. They were about 1/2 the size of the standard 3 1/2 x 5 1/2 inch postcards. They have stamp boxes and are often postally used. The most desirable are those by the Scandinavian artists or publisher John Winsch.
Novelty - These cards include mechanicals and cards that have item attached, such as bags of salt, real hair, metal medallions, paper applique, silk, or even pennies. Some novelty cards are die cut shapes or have holes in which fingers can be inserted to make the postcard figures appear to have real arms, legs, or even a nose.
Oilette - A term used by Raphael Tuck and Sons of England to refer to a particular style of postcard production. The oilettes often looked like oil painting, with noticeable brush strokes.
Over Sized - The standard postcard size during the Golden Age was 3 1/2 by 5 1/2 inches; the standard modern postcard size is 4 by 6 inches. Any card larger than these sizes is considered oversized. Modern postcards are often called continentals.
PVC - Poly Vinyl Chloride, polymers derived from vinyl chloride used to make plastic pages and sleeves. These can cause damage to postcards over time.
Pioneers - Postcards issued before the Act of Congress in 1898. They carry instructions on the back, such as, Write the address only on this side - the message on the other, or Nothing but address can be placed on this side, or This side for address only.
Postcard - A card specifically made with the intention that it could be used by itself as a mailed message or souvenir.
Private Postal - Postcards produced, not by the government, but by private business or publishers.
Puzzle Cards - A European term for installments. In America, it refers to hidden picture cards, jigsaw puzzle cards, rebus cards, or anything that is a puzzle to solve.
Real Photo - A term coined to distinguish between commercially printed photographic images and an actual photograph printed on photograph paper with a preprinted postcard back. Real photo cards are more desirable than commercially printed postcards. Most real photos are one of a kind, while commercially printed photographs were produced in large quantity.
Rebus - A puzzle postcard on which words, phrases, or sentences are represented by pictures of objects and signs, the names of which, when sounded in sequence afford the solution.
Sepia - A dark brown color applied to photographs or other prints. Inky secretions of the cuttlefish produce this coloration.
Series - Groups of postcards that belong together in a collection. The individual cards may or may not have been printed at the same time. More than just a common topic, a series has a common artist and publisher.
Sets - Postcards published in a group of 4, 6, 7, 8, or 12. These were sold in packets or individually. Examples are: days of the week or months of the year.
Silk - Postcards where silk fabric is applied to the design, or the total image is printed on silk fabric, then attached to a postcard back.
Topics - Postcards that are not views, but are of subjects such as baseball, kites, cats, and golf.
Tradecards - Advertising cards issued before 1900. Store keepers gave then away in products or with the purchase of a product. They were very popular before the postcard and were often times glued into large scrap books with other die cut scrap.
Transparency - A type of Hold to Light postcard that creates its transformation with many thin layers of paper. A total change in image is caused by strong light behind the postcard. There are no die cut holes in the surface to achieve this transformation.
Undivided Back - A postcard back without a dividing line to separate the message from the address. Undivided backs on postcards help date the cards (see divided back).
View Cards - Postcards that feature cities and places within cities, such as parks, main streets, depots, store fronts, bridges, and roads. They are not topics such as Halloween, cats, or Clapsaddle